Who Murdered Love?
William Broderick’s regal Andre Raton renders Breton’s notoriously combative arrogance with ironic wit. - Beate Hein Bennett, NY Theatre Wise
William Broderick, who often works with director Moira, does a superb job as Ranton — a send-up of the French poet and critic Andre Breton, the anarchist architect of the Surrealist movement. - Stephen DiLauro, The Village Sun
Grand Theft Musical
Broderick has the suave urbanity of [George] Sanders ... he sings well, articulates meticulously and shows strength at the end. - Beatrice Williams-Rude, Theater Pizzazz
Nicholas Nickleby
Broderick, whose visage looks at once ghostly and sculptural, is vintage Dickens. ... Wherever he stands on stage, that is the center. - Claude Solnick, TotalTheater.com
Ralph Nickleby performed with haughty condescension by the terrific William Broderick - Eleanor J. Bader, theasy.com
Rappaccini's Daughter
But what is an opera without adequate singers? Thankfully, the cast was more than adequate - they were superb. William Broderick's Dr. Rappaccini was as warm sounding as he was cold-hearted. - Melody Breyer-Grell, Huffington Post
William Broderick is perfectly sinister as the brilliant but narcissistic Dr. Rappaccini. - Emily Gawlak, StageBuddy.com
The Producers
William Broderick and Schulyer Beeman are scene-stealing standouts in the roles of the disastrous Director Roger DeBris and his lisping common-law assistant/ houseboy Carmen Ghia. Broderick in particular brings the house down with his mincing "Springtime for Hitler" number. - Jacques Lamarre, BroadwayWorld.com
Broderick lends a more sophisticated - if such a word can be used to describe a man dressed as the Chrysler Building - flair to his [character] - Lauren Yarger, Connecticut Arts Connection
Family Dinner
Nancy Nagrant as the mother/daughter and William Broderick as the father/son are outstanding, with a natural flair for the period styles. - Bryan Clark. showbusinessweekly.com
The Fantasticks
The role is masterfully played here by William Broderick, who commands the stage with a forceful presence to match his lush deep baritone voice. - L. P. Streitfeld, The Advocate
Our narrator/villain El Gallo is played by William Broderick, who cuts an ironically dashing figure on the stage. A powerful singer with a solid comic touch, he makes fun of and revels in his Errol Flynn schtick simultaneously. - Peter Smith, The Palm Beach Post
Clue, the Musical
Acting like the love child of Vincent Price and Paul Lynde, and singing like Lucifer before his fall, William Broderick is a Mr. Boddy to die for. - Bill Kamberger, Baltimore Alternative
South Pacific
William Broderick is commanding as Emile de Becque ... He doesn't become, as many who play de Becque do, an operatic robot professing his love. - Ashley Fantz, Tribune
Company
Everything you need to know about who Bobby is is contained in Broderick's interpretation of Bobby's songs. The combination of Broderick's commanding lyrical voice and his interpretive skills is both touching and powerful, particularly in his concluding number, the achingly compelling "Being Alive." - Jeffrey Borak, The Berkshire Eagle
His "Being Alive" is among the most compellingly delivered songs I've heard in a musical. - Ralph Hammann, The Advocate
Broderick has a marvelous voice and a winning humor in his acting style. He nailed this desperate, grinning preppie perfectly. His last solo, "Being Alive," caught the terror roiling beneath the suave grins. - Michael Santa Rita, The Gazette